December 2008 Specials on Classic 89 and Nature Coast 90

1) "Bayreuth Festival Opera Presents Parsifal" on Wednesday, December 3rd at 7:00pm - 12:00 midnight. Click here for details.
   
2) "A Chamber Music Spectacular with the Cypress String Quartet, the Ahn Trio, & the Takacs String Quartet" will air on Tuesday, December 9th at 8:00pm.
     Click here for details
   
3) "Bayreuth Festival Opera Presents Tristan und Isolde" on Wednesday, December 10th at 7:00pm - 12:00 midnight. Click here for details.
   
4) "Christmas Glow with Renee Fleming” will air on Thursday, December 4th at 10:00pm.
   
5) "A Christmas Celebration with Bryn Terfel and Frederic von Stade” will air on Thursday, December 4th at 10:30pm.
   
6) "Conspirare: Christmas at the Carillon" will air on Thursday, December 11th, at 10:00pm.
   
7) "A Choral Christmas Card" will air on Thursday, December 18th at 10:00pm.
   
8) "A Paul Winter Solstice Concert" will air on Saturday, December 20th at 8:00pm - 10:00pm. Click here for details.
   
9) "Hanukkah Lights" will air on Sunday, December 21st at 12:00noon.
   
10) "Chanukah in Story and Song" will air on Sunday, December 21st at 1:00pm.
   
11) "Cantus: All is Calm" will air on Monday, December 22st at 9:00pm.
   
12) "A Chanticleer Christmas" will air on Monday, December 22st at 10:00pm.
   
13) "Happy Joyous Hannuka" will air on Tuesaday, December 23rd at 7:00pm.
   
14) "Choirs & Carols: An NPR Christmas" will air on Tuesday, December 23rd at 10:00pm.
   
   
   
 

Christmas Eve Specials

15) Welcome Christmas 2008 will air on Wednesday, December 24th from 9:00am - 10:00am.
   
16) "A Festival of Nine Lessons and Carols"  will air on Wednesday, December 24th from 10:00am - 12:00am.
   
17) "Carols for Dancing" will air on Wednesday, December 24th at 1:00pm.
   
18) "Songs of Joy and Peace: The Yo-Yo Ma Holiday Party" will air Wednesday, December 24th at 2:00pm.
   
19) "Magnificat an American broadcast debut featuring the Yale Schola Cantorum" will air on Wednesday, December 24th at 3:00pm.
   
20) "Christmas Around the Country" will air on Wednesday, December 24th at 4:00pm.
   
21) "All Things Considered will start at 5:00pm and run until 7:00pm" on Wednesday, December 24th.
   
22) "Lessons and Carols from Washington National Cathedral" will air on Wednesday, December 24th at 7:00pm
   
23) "Christmas With Madrigalia hosted Jeanne Fisher" will air on Wednesday, December 24th at 8:00pm.
   
24) "T'was the Night Before Christmas" will air on Wednesday, December 24th at 9:00pm.
   
   
 

Christmas Day Specials

25) "A Harpist’s Christmas with Yoland Kondonassis" will air on Thursday, December 25th at 5:00am.
   
26) "St. Olaf Christmas Festival" will air on Thursday, December 25th at 9:00am.
   
27) "Christmas with Morehouse and Spelman Glee Clubs" will air on Thursday, December 25th at 10:00am.
   
28) "Christmas with the Philadelphia Singers" will air on Thursday, December 25th at 1:00pm.
   
29) "Echoes of Christmas" will air on Thursday, December 25th at 2:00pm.
   
30) "The Rose Ensemble: An Early American Christmas" will air on Thursday, December 25th at 3:00pm.
   
31) "Tinsel Tales: NPR Christmas Favorites" will air on Thursday, December 25th at 4:00pm.
   
32) "All Things Considered will start at 5:00pm and run until 6:30pm" on Thursday, December 25th.
   
33 "One Silent Night with Walter Cronkite" will air on Thursday, December 25th at 6:30pm.
   
34) "Music of the Baroque Brass and Choral Holiday Concert" will air on Thursday, December 25th at 7:00pm - 9:00pm. Click here for details.
   
35) "Messiah with Apollo's Fire" will air on Thursday, December 25th at 9:00pm - 11:00pm.
   
36) "Leroy Anderson Christmas" will air on Thursday, December 25th at 11:00pm. Click here for details.
   
   
 

Friday, December 26th

37) "A Seasons Griot" will air on Friday, December 26th at 4:00pm.
   
38) "All Things Considered will start at 5:00pm and run until the normal 6:30pm" on Friday, December 26th.
   
39) "Jazz From Lincoln Center's Red Hot Holiday Stomp with Wynton Marsalis and friends!" airs Friday, December 26th at 8:00pm. Click here for details.
   
40) "Jazz Piano Christmas XIX" will air on Friday, December 26th at 10:00pm.
   
   
 

Saturday, December 27th

41) "Golden Days & Friendly Faces - A Musical Voyage to America's Emerald Isle" will air on Saturday, November 29th at 8:00pm. Click here for details.
   
42) "The NEA Opera Honors" will air on Saturday, December 27th at 12:00noon. Click here for details.
   
43) "The Pleasures of Winter 2008" will air on Saturday, December 27th at 8:00pm.
   
44) "Watch Night" will air on Saturday, December 27th at 9:00pm.
   
45) "Songs of Joy and Peace: The Yo-Yo Ma Holiday Party" will air on Saturday, December 27th at 10:00pm.
   
46) "Sing We Now of Christmas with Gladys Knight" will air on Saturday, December 27th at 11:00pm.
   
   
 

Sunday, December 28th

47) "The Christmas Revels: In Celebration of the Winter Solstice 2008" will air on Sunday, December 28th from 4:00pm - 6:00pm.
   
   
 

Wednesday, December 31st - Thursday, January 1st.

48) "Toast of the Nation" will air on Wednesday, December 31st from 10:00pm - 5:00am.
   

 

Wednesday, December 3rd at 7:00pm - 12:00 midnight
Bayreuth Festival Opera Presents Parsifal
Festspielhaus Bayreuth by NobbiUSA.
     For the duration of the Richard Wagner Festival, Bayreuth, a medium-sized city in northern Bavaria, has the eyes and ears of the world trained on it. It all began with a dream: Wagner, composer, playwright and theater director all rolled into one, conceived the Gesamtkunstwerk (“total work of art”), a perfect combination of singing, drama and staging. The established theaters in the big cities of his time were completely inadequate for these plans, so along with the artistic dream came the dream of his own festival and theater. In early 1871, Richard Wagner, joined by his wife Cosima, traveled to Bayreuth. He later wrote, “... the unique charm and the location of the friendly city itself were what I had been desiring. An utterly beautiful and generous plot of land not far from town was given to me as a gift and for the purpose of building the theater I had in mind.” The cornerstone to the Festspielhaus was laid in 1872.
      Since 1876 the Bayreuth Festival has accompanied every high and low point of German history. Its current director is a grandson of the composer: Wolfgang Wagner, 88 years old, festival director since 1951.
      The Bayreuth Festspielhaus is both a world cultural monument and a highly modern theater. It is reserved for the works of Richard Wagner, which are based on Germanic myths. In the evening, gods, giants and Nibelungs act out their eternal dramas onstage. In the early morning, the grounds outdoors are populated by people seeking tickets. Taking the official route to festival admission can last seven years or longer. The number of ticket seekers outnumbers the number of tickets available by a factor of ten to one. On opening day, Bayreuth is a spectacle of myth, fashion and media. Presidents and party chairmen bump shoulders with show business celebrities. Less apparent are the many music critics, but they do in fact convey every nuance of the performances inside to the world outside, upholding Bayreuth’s status as a nerve center of the world of music theater.
     The performances in the unique acoustic of Wagner’s Festspielhaus, perfectly suited for his music dramas and never replicated anywhere else, are captured in all their vibrancy by the recording engineers of Radio Bavaria and transmitted your way in these radio productions by Deutsche Welle. Host Rick Fulker talks with conductors and soloists in the intermissions and conveys the excitement and authenticity of this most unique and renowned opera festival in the world.
     This season opens on July 25 with a new production of Parsifal staged by the Norwegian director Stefan Herheim. The Italian Daniele Gatti is the conductor. We also bring you Tristan und Isolde, conducted by Peter Schneider and directed by Christoph Marthaler.
         
  PARSIFAL  by Richard Wagner (1813-1883)      
  CAST:      
         
  Parsifal Christopher Ventris      
  Gurnemanz Kwangchul Youn      
  Kundry Mihoko Fujimura      
  Amfortas Detlef Roth      
  Klingsor Thomas Jesatko      
  Titurel Diógenes Randes      
  1st Knight Arnold Bezuyen      
  2nd Knight Friedemann Röhlig      
  1st Page Julia Borchert      
  2nd Page Ulrike Helzel      
  3rd Page Clemens Bieber      
  4th Page Timothy Oliver      
  Alto Soloist:  Simone Schröder      
  Klingsor’s Magical Maidens Julia Borchert, Martina Rüping, Carola Guber, Anna Korondi, Jutta Maria Böhnert, Atala Schöck      
  CONDUCTOR: Daniele Gatti,      CHORUS: Bayreuth Festival Chorus,            ORCHESTRA: Bayreuth Festival Orchestra,            STAGE DIRECTOR: Stefan Herheim      
  Performed in the Bayreuth Festspielhaus on July 25, 2008 Recorded by Radio Bavaria, Munich (BR      

 

 

 

 

 
Tuesday, December 9th at 8:00pm

A Chamber Music Spectacular with the Cypress String Quartet, the Ahn Trio, & the Takacs String Quartet"

 

 

       Cypress String Quartet

Ahn Trio

                      Takacs String Quartet

Recorded live at University Memorial Auditorium, these three great ensembles perform works by Griffes, Tsontakis, Anger, Balakrishnan, Wreede, Yedidia, Otero, Bunch, and Schumann

 

Cypress String Quartet

Ahn Trio   

Takacs String Quartet

 
         
 
     The Cypress String Quartet has brought audiences to their feet for over a decade with virtuoso performances at major concert venues around the world, including the Kennedy Center, Library of Congress, Detroit, Columbus and Honolulu Chamber Music Societies, Stanford Lively Arts, Krannert Center, Ravinia Festival, and many more. Widely celebrated for their passionate dedication to the genre and for the exuberance and power of their performances, Quartet members Cecily Ward and Tom Stone, violins; Ethan Filner, viola; and Jennifer Kloetzel, cello, combine technical precision with imaginative programming to create truly unforgettable concert experiences. “While turning even the most difficult phrases with virtuosic aplomb, it was the group’s tonal warmth, musical breadth and ESP-like phrasing that carried the day. Regardless of style or period, the Quartet successfully found and transmitted each composition’s emotional core.” —Topeka Capital-Journal

 

     Born in Seoul, Korea, and educated at Juilliard in New York City, the members of the Ahn Trio "sisters Maria, Lucia, and Angella" are redefining the art and architecture of chamber music, breathing new life into the standard piano-trio literature with commissioned works from visionary composers like Kenji Bunch, Maurice Jarre, Nikolai Kapustin and Michael Nyman. The trio's latest CD, Lullaby for My Favorite Insomniac (recorded by their own label, L.A.M.P), is a showcase of this vibrant and original music.
     Lucia, Angella, and Maria thrive on dissolving the barriers between art forms.  They have fused their work with that of dancers, pop singers, DJ's, painters, installation artists, photographers, lighting designers, ecologists, and even kite makers... .............................................................................................................

 

     Recognized as one of the world's premiere string quartets, the Takács Quartet is renowned for the ability to fuse four distinct, expressive musical personalities into gripping, unified interpretations. Commenting on their latest Schubert recording for Hyperion, Gramophone magazine noted; "The Takács have the ability to make you believe that there’s no other possible  way the music should go, and the strength to overturn preconceptions that comes only with the greatest performers." 
     Based in Boulder at the University of Colorado, the Takács Quartet perform eighty concerts a year worldwide, performing throughout Europe as well as in Australia, New Zealand, Japan and Korea. The quartet are Associate Artists at the South Bank Centre in London, performing concerts there each year. ......................         ......................................................................
 
 

Read More

Read More

Read More

 
         
 

Works Performed

Works Performed

Works Performed

 
  Griffes - Two Sketches for String Quartet Based on Indian Themes Darol Anger (arr Balakrishnan) - You Noticed Too Schumann - Piano Quintet in E-flat Major Op 44 -  
  Tsontakis - String Quartet # 5 ( In Memorium George Rochberg ) David Balakrishnan - Skylife                  With Joyce Yang Piano  
    Katrina Wreede - Mr Twitty's Chair    
    Ronn Yedidia - The Song on the Land    
    Fernando Otero - Contacto Permanente    
    Kenji Bunch - Concerto for Piano Trio and Percussion    
 
 
 
 

 

 

 

Wednesday, December 3rd at 7:00pm - 12:00 midnight
Bayreuth Festival Opera Presents Tristan und Isolde
Festspielhaus Bayreuth by NobbiUSA.
     For the duration of the Richard Wagner Festival, Bayreuth, a medium-sized city in northern Bavaria, has the eyes and ears of the world trained on it. It all began with a dream: Wagner, composer, playwright and theater director all rolled into one, conceived the Gesamtkunstwerk (“total work of art”), a perfect combination of singing, drama and staging. The established theaters in the big cities of his time were completely inadequate for these plans, so along with the artistic dream came the dream of his own festival and theater. In early 1871, Richard Wagner, joined by his wife Cosima, traveled to Bayreuth. He later wrote, “... the unique charm and the location of the friendly city itself were what I had been desiring. An utterly beautiful and generous plot of land not far from town was given to me as a gift and for the purpose of building the theater I had in mind.” The cornerstone to the Festspielhaus was laid in 1872.
      Since 1876 the Bayreuth Festival has accompanied every high and low point of German history. Its current director is a grandson of the composer: Wolfgang Wagner, 88 years old, festival director since 1951.
      The Bayreuth Festspielhaus is both a world cultural monument and a highly modern theater. It is reserved for the works of Richard Wagner, which are based on Germanic myths. In the evening, gods, giants and Nibelungs act out their eternal dramas onstage. In the early morning, the grounds outdoors are populated by people seeking tickets. Taking the official route to festival admission can last seven years or longer. The number of ticket seekers outnumbers the number of tickets available by a factor of ten to one. On opening day, Bayreuth is a spectacle of myth, fashion and media. Presidents and party chairmen bump shoulders with show business celebrities. Less apparent are the many music critics, but they do in fact convey every nuance of the performances inside to the world outside, upholding Bayreuth’s status as a nerve center of the world of music theater.
     The performances in the unique acoustic of Wagner’s Festspielhaus, perfectly suited for his music dramas and never replicated anywhere else, are captured in all their vibrancy by the recording engineers of Radio Bavaria and transmitted your way in these radio productions by Deutsche Welle. Host Rick Fulker talks with conductors and soloists in the intermissions and conveys the excitement and authenticity of this most unique and renowned opera festival in the world.
     This season opens on July 25 with a new production of Parsifal staged by the Norwegian director Stefan Herheim. The Italian Daniele Gatti is the conductor. We also bring you Tristan und Isolde, conducted by Peter Schneider and directed by Christoph Marthaler.
         
  TRISTAN UND ISOLDE by Richard Wagner (1813-1883)      
  CAST:      
         
  Tristan   Robert Dean Smith      
  Isolde   Iréne Theorin      
  König   Marke Robert Holl      
  Brangäne   Michelle Breedt      
  Kurwenal   Jukka Rasilainen      
  Melot   Ralf Lukas      
  A Young Sailor   Clemens Bieber      
  A Shepherd   Arnold Bezuyen      
  A Helmsman   Martin Snell      
  CONDUCTOR: Peter Schneider        CHORUS: Bayreuth Festival Chorus,            ORCHESTRA: Bayreuth Festival Orchestra,       STAGE DIRECTOR: Christoph Marthaler      
  Performed in the Bayreuth Festspielhaus on July 26, 2008 Recorded by Radio Bavaria, Munich (BR      

 

 

 

 

Saturday, December 20th at 8:00pm - 10:00pm
A Paul Winter Solstice Concert

ity, the 25th-anniversary broadcast of a public radio tradition:

                                                      Credit: © 1998 Jeff Day

 

 

     From the cathedral of St. John the Divine in New York City, Paul Winter, one of the original world musicians, is back again with a unique exploration of the solstice tradition in cultures near and far. Hosted by John Schaefer.

        Credit: © 1998 Jeff Day

 

 

 

 

 

 

 

Thursday, December 25th at 7:00pm
Leroy Anderson Christmas
 
     2008 is the Centenary year of Leroy Anderson, the composer of light orchestral Christmas music such as Sleigh Ride and A Christmas Festival. This one hour special contains classic Christmas arrangements and original music by Leroy Anderson. It is hosted by conductor Leonard Slatkin and the composer's son Kurt Anderson, and features recorded performances of Leroy Anderson’s Christmas Music with Leonard Slatkin conducting the BBC Concert Orchestra, and Leroy Anderson conducting his “Pops” Concert Orchestra. Listeners will also hear Leroy Anderson talking about how he wrote some of his famous Christmas music and what Christmas means to him.
     This Leroy Anderson Tribute is co-hosted and produced by the composer's son Kurt Anderson, who is also General Manager of public radio station WMNR Fine Arts Radio in Monroe, CT. He has produced a number of radio programs about his father including an NPR special concert in 1999. He also created the PBS website on Leroy Anderson and produced the DVD release of the PBS documentary, Once Upon a Sleigh Ride.
 
     

 

 

 

 

Thursday, December 25th at 8:00pm - 10:00pm
Music of the Baroque Brass and Choral Holiday Concert
       Please join our host, Peter Van De Graaff as he guides you through music of the 16th and 17th centuries by composers such as Johann Vierdanck, Giovanni Gabrieli, Jan Pieterszoon Sweelinck, Henry Purcell, Claudio Monteverdi and Heinrich Schütz, among others. Brass instruments have long been associated with ceremony and celebration. Ubiquitous in Renaissance court pageantry, their connection to royalty and wealth lent an air of respectability to any occasion. Courts and churches capitalized upon the exalted status of brass instruments, flaunting their virtuoso players and composers in order to enhance their reputations. Diverse in nationality, temporality and musical style, the stories the pieces in this program tell are nonetheless similar in their message. Many are related to the Christmas narrative, shedding light on different facets of the tale, while others offer a timely reminder that the wonder and awe the season inspires can last the entire year. Although the Christian celebration of the birth of Christ is the dominant theme, it isn’t the only one at work in this program. Different nationalities, perspectives and styles are reconciled through the power of music, and glorious harmony is clearly the result. What better way to celebrate the holiday season?
       From its earliest years, Music of the Baroque has drawn audiences from across the Chicago metropolitan area, performing in the intimate settings of neighborhood churches chosen for architectural interest and acoustic excellence and, since 2004, at the Harris Theater in downtown Chicago. Listeners across the country have enjoyed the work of Music of the Baroque, which was the first professional chorus in America to have its own regularly scheduled nationwide broadcast series.
       The chorus and orchestra of Music of the Baroque are comprised of approximately 60 professional musicians. Chorus members have active operatic and recital careers and many perform regularly both in the United States and abroad. Many members are also members of other leading ensembles, including the Chicago Symphony and Lyric Opera orchestras.
       Chorus Director since 2001, Edward Zelnis has performed with Music of the Baroque for more than 22 years. In addition to preparing the chorus this season, Mr. Zelnis is also principal conductor of Light Opera Works, music director of the Park Ridge Chorale, organist and choirmaster at Christ The King Roman Catholic Church, and organist and choirmaster at Congregation Kol Ami, all in Chicago.

 

 

 

 

 

Friday, December 26th at 8:00pm
Jazz From Lincoln Center's Red Hot Holiday Stomp with Wynton Marsalis and friends!
    

      THE 4th ANNUAL RED HOT HOLIDAY STOMP With Special Guests: Wycliffe Gordon and Bill Charlap, along with Wynton Marsalis

      Try your holidays with a hint of Tabasco.™. Our Jazz at Lincoln Center tradition features Wynton Marsalis, Bill Charlap and Wycliffe Gordon with winter favorites, ample doses of Spanish Tinge and ragtime seasoning.

 
 
 
 

 

 

 

 

 

 

Saturday, December 27th at 11:00pm
Golden Days & Friendly Faces - A Musical Voyage to America's Emerald Isle

     If a little bit of Ireland broke off and landed in northern Lake Michigan, it would probably look, and sound, a lot like Beaver Island. Settled by immigrants from County Donegal in the 1800's, Gaelic was spoken on Beaver Island well into the 20th century. God was good to them. They lucked out totally. 'Specially the ones who went to Beaver Island. Beaver Island was the closest I ever spiritually felt home.' --Aranmore resident Jerry Early

     Beaver Islanders have a distinctive musical tradition combining an Irish spirit with a uniquely American twist. It's also music that links the generations. You can have a 19-year-old kid singing along with a song and a 70-year-old person singing along with a song, and I think that’s just awesome. --Beaver Island musician Danny Gillespi

     Embark now on a musical voyage to America's "Emerald Isle" with Golden Days and Friendly Faces.

     This program is the results of two years of research and field work by WMUK news director Andy Robins and announcer/producer Cara Lieurance. We hope you enjoy it. Their Web site also includes extra interviews and music not included in the radio program as well as links to other Web pages about Beaver Island

Visit the Web Site by clicking here.

(c) WMUK FM Western Michigan University

 

 

 

 

Saturday, December 27th at 12:00noon

The NEA Opera Honors

Dana Gioia, chairman of the National Endowment for the Arts, announced the first recipients of the NEA Opera Honors, the highest award our nation bestows in opera, and the WFMT Radio Network is pleased to bring you this award ceremony.

The award goes to luminaries who have made extraordinary contributions to opera in the United States. The honorees are soprano Leontyne Price; composer Carlisle Floyd; administrator Richard Gaddes, general director of the Santa Fe Opera and co-founder of Opera Theatre of Saint Louis; and maestro James Levine, music director of the Metropolitan Opera and the Boston Symphony Orchestra.  Also participating in the event was Plácido Domingo, renowned tenor and general director of the Washington National Opera, which partners with the NEA in this inaugural year.

      The 2008 NEA Opera Honors are being given in four categories.

     

     
     

Carlisle Floyd

Richard Gaddes

James Levine

Leontyne Price

     
- Carlisle Floyd, who receives the award for composer, has had a long and distinguished career & has written such memorable operas as Susannah and Of Mice and Men.

- In the category of advocate, Richard Gaddes has been the trailblazing director of two important festival companies in Santa Fe and St. Louis.

- As conductor, James Levine has led Metropolitan Opera premieres of works by many composers, from Mozart to Weill, as well as the world premieres of American
  operas by John Corigliano and John Harbison, and is responsible for building the Metropolitan Opera Orchestra into one of the greatest orchestras in the world.
- As the 2008 honoree for singer, Leontyne Price is known for her elegant musical style, great recording legacy, and generosity to young artists.
- The National Endowment for the Arts Opera Honors, honors those visionary creators, extraordinary performers, and other interpreters who have made a lasting impact
  on our national cultural landscape.